Blog 1

Joseph Campbell's 17-step template for the hero's journey, also known as the monomyth, is a widely recognized structure that outlines the journey of the archetypal hero in mythology and storytelling. The hero's journey is a narrative pattern that outlines the common experiences that a hero goes through as they embark on a journey, face challenges and obstacles, and ultimately transform and return home with newfound wisdom and growth.


While Campbell's template does provide a useful framework for understanding the basic elements of a hero's journey, it is important to critically reflect on its limitations. The first drawback is its universality. The hero's journey is often portrayed as a universal pattern that applies to all cultures and time periods, but this oversimplifies the diversity of storytelling traditions and heroes. The hero's journey is rooted in Western mythological traditions and may not accurately reflect the experiences of heroes from other cultures and backgrounds.

Another limitation is its tendency to perpetuate gender and cultural stereotypes. The archetypal hero is often depicted as a young, male, physically strong and brave individual, who sets out on a journey to prove his worth and attain greatness. This narrative reinforces patriarchal and gendered expectations of what a hero should be and can exclude or marginalize other experiences and perspectives.

The fact that this template is so popular alone is one of its biggest shortcomings. This form of writing has become so common that it is often easy to tell what will happen next because of how closely some authors and filmmakers follow this path. The use of the hero's journey as a formulaic template can lead to a lack of originality in storytelling, as the same steps are often repeated in different works. This makes the narrative more predictable and reduces the impact of the story. But despite these limitations, the hero's journey remains a popular and influential template for understanding the narrative patterns in storytelling. Many films and novels have incorporated elements of the hero's journey into their narratives, often adapting and subverting the template to suit their own themes and perspectives.

For example, the film "The Matrix" (1999) is a classic example of a hero's journey that subverts traditional gender and cultural expectations. The protagonist, Neo, is a computer programmer who is initially portrayed as a passive and unremarkable individual. However, as he embarks on his journey, he discovers his true identity as the "Chosen One" and learns to harness his powers to challenge the oppressive system that controls the world. "The Matrix" challenges the traditional portrayal of the hero as a physically strong and brave individual, and instead portrays the hero as an individual who must use their intelligence and wit to triumph over adversity.

Another example of a film that incorporates elements of the hero's journey is the "Star Wars" franchise. The original 1977 film, "Star Wars Episode IV: A New Hope," follows the journey of Luke Skywalker, a young farm boy who discovers his true identity as a Jedi and sets out to rescue Princess Leia and defeat the evil empire. Throughout his journey, Luke faces numerous challenges and obstacles, such as learning the ways of the Force, battling Darth Vader, and ultimately destroying the Death Star. In this way, "Star Wars" embodies the classic hero's journey, as Luke transforms from a passive and unremarkable individual into a powerful and confident hero who saves the galaxy.

However, the film also subverts traditional expectations of the hero's journey by including multiple heroes, each with their own unique journeys and experiences. For example, Princess Leia is depicted as a strong and capable leader who is not afraid to challenge authority and fight for her beliefs. Meanwhile, Han Solo is portrayed as a rogue and selfish smuggler who ultimately transforms into a hero through his experiences and relationships. In this way, "Star Wars" challenges the traditional portrayal of the hero as a single, heroic figure, and instead portrays a diverse group of heroes who must work together to overcome adversity.


Joseph Campbell’s Hero’s Journey provides a useful framework for understanding the narrative patterns in storytelling. However, it is important to critically reflect on its limitations and limitations, including its universality and tendency to perpetuate gender and cultural stereotypes. Despite these limitations, the hero's journey remains a popular and influential template, and many films and novels have adapted and subverted the template to suit their own themes and perspectives.


Comments

  1. I think that while the original format of the hero's journey may have frequently perpetuated stereotypes, that has changed a lot recently. Now more then ever the hero's journey format is being altered and transformed to fit within various cultural frameworks. I think this is great because I do really like the concept of each faze of the hero's journey, and I think that each story can put unique twists on each step to keep the format fresh.

    ReplyDelete
  2. Great blog post, Aryan! I found your exploration of Joseph Campbell's Hero's Journey template to be an accurate and elucidating depiction of modern media. While the Hero's Journey is popular to the point of overuse and cliche, I think its predictability still provides a nostalgic and comforting pattern to many cinema hits that weren't aimed to be 'deep,' or unique, only entertaining.

    ReplyDelete
  3. I really like that you didn't just accept the hero's journey as a given in storytelling but challenged it instead. I agree that it derives its steps from specific cultures, which makes it hard for other cultures to be represented by this model. I do like that authors have begun taking freedoms with the journey, though, so that it is less predictable and more unique to each story. I think the flexibility of the journey allows it to branch out to more cultures, even though it would be impossible to represent all stories with one model.

    ReplyDelete
  4. I like the way you poke holes in the hero’s journey and give counterexamples. I think one way we could treat the hero’s journey as a framework is to look at is as a handful of elements that may or may not be in a story, rather than a hard structure. We can still look to see how stories conform to it, and it can be helpful there. Even in the case of an element of a story that doesn’t follow the hero’s journey, t can also be helpful to look at where and why they diverge and why it still works, as you did with The Matrix and Star Wars. I feel like that’s a lot of what we are doing in this class, and you can even look at the heroine’s journey—which I personally prefer as a story structure in almost all cases—as a response/being based in the hero’s journey.

    ReplyDelete

Post a Comment